{"id":33,"date":"2026-05-06T18:56:48","date_gmt":"2026-05-06T18:56:48","guid":{"rendered":"https:\/\/unicorn-castle.org\/medievalisms\/?page_id=33"},"modified":"2026-05-06T18:56:48","modified_gmt":"2026-05-06T18:56:48","slug":"knights-of-the-digital-age","status":"publish","type":"page","link":"https:\/\/unicorn-castle.org\/medievalisms\/contents\/knights-of-the-digital-age\/","title":{"rendered":"Knights of the Digital Age"},"content":{"rendered":"<h6 style=\"text-align: right;\">by Carol <span data-olk-copy-source=\"MessageBody\">Parrish <\/span>Jamison<br \/>\nGeorgia Southern University<\/h6>\n<p>Who says chivalry is dead?\u00a0<a href=\"https:\/\/www.sca.org\/\">Members of the Society for Creative Anachronisms<\/a> would certainly argue that chivalry is alive and well. This worldwide organization of medieval afficionados was established in 1966. In the SCA, members not only\u00a0 learn about, but\u00a0 participate in, medieval culture. The SCA sponsors events that include reenactments of tournaments and jousts, feasts, archery competitions, and other medieval-inspired events. Renaissance Fairs, despite the name, also reveal our fascination with medieval chivalry. Here, too, participants can watch reenactments of jousts and tournaments and mingle with cosplaying knights and damsels. You might also attend a Medieval Times Dinner and Tournament, where you can enjoy a medieval-inspired banquet and watch a faux tournament.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-501\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/02\/Conquest_of_Mythodea_2018_010_1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<p>Post-medieval representations of knights are\u00a0 found in almost every genre of modern media: movies, video games, series, comic books, and anime.<\/p>\n<p style=\"text-align: center;\"><strong>The Chivalric Code<\/strong><\/p>\n<p>The chivalric code, as defined by historian Maurice Keen, consisted of prowess, franchise, courtesy, loyalty, and generosity. How do our modern-day knights measure up? We\u2019ll consider a few modern-day knights (with special attention to George R. R. Martin&#8217;s Ser Duncan the Tall) alongside Keen&#8217;s definition of chivalry. Then, we\u2019ll take a look at medieval rules of chivalry found in chivalric manuals. These chivalric manuals not only describe fighting techniques but also define the rules of knighthood. As frames of references, we\u2019ll use Ramon Lull\u2019s 13<sup>th<\/sup> century <em>Book of the Order of Chivalry<\/em> and Geoffroi de Charney\u2019s 14<sup>th<\/sup> century\u00a0<em>A Knight\u2019s Own Book of Chivalry.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-614\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/Ser-Duncan-the-Tall-155x300.jpg\" alt=\"\" width=\"155\" height=\"300\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Franchise and Prowess<\/strong><\/p>\n<p>The knights of medieval romance are always good looking, and they are excellent fighters. They have a noble bearing and bloodline that sets them above the common man. Consider, for example, this description of the hero of <em>King Horn, <\/em>an early thirteenth-century English manuscript:<\/p>\n<p>Bryht so ever eny glas<br \/>\nSo whit so eny lilye flour<br \/>\nSo rose red was his colour.<br \/>\nHe wes feyr ant eke bold<br \/>\nAnt of fifteyne wynter old. (14-18)<\/p>\n<p>Bloodline is requisite for knighthood in medieval romance. Knights of the digital age, on the other hand, often rise from humble beginnings. For instance, Martin&#8217;s Ser Duncan the Tall (Ser Dunk) is a lowly hedge knight (if he is a knight at all). Hedge knights are, in Martin&#8217;s world, poor poor knights who wander in search of service and often literally must sleep under hedges.\u00a0 The hedge knight\u00a0 falls in the cracks as he is from the lower, working estate, yet his duty is to fight.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-615\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/hedge-knights-300x127.jpg\" alt=\"\" width=\"300\" height=\"127\" \/><\/p>\n<p style=\"text-align: center;\"><strong>FRANCHISE AND PHYSIQUE<\/strong><\/p>\n<p>The enhanced physical appearance and occasional supernatural powers of the knight in medieval romance make them comparable to modern superheroes and to the digital knights of video games. Armor was fashioned to enhance the knight\u2019s physique much in the way the superheroes like Batman and Superman sport costumes that enhance their physiques.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-616\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/superman.jpg\" alt=\"\" width=\"182\" height=\"277\" \/><\/p>\n<p>Similarly, the knights of many video games have unrealistic physiques that emphasize their prowess. Villains, on the other hand, are distorted in ways that make them appear almost monstrous. Take a look at this knight from the video game\u00a0<em>Elden Ring<\/em>:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-618\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/Elden-Ring-Knight.jpg\" alt=\"\" width=\"193\" height=\"261\" \/><\/p>\n<p>Contemporary portrayals of medieval battles and jousts vary in their success in mimicking historical rules of battle. In films, battle scenes tend to emphasize battle gore.\u00a0One of the more historically accurate duels appears in <em>The Princess Bride. <\/em>The actors worked with a professional fencer and spent hours working on the fight scenes:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rUczpTPATyU?si=YFev_hX6SJWSVg0R\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Knights of the digital age, even when based on actual knights, are depicted with extradordinary bravery and prowess. Look at this scene from the 1961 historical drama\u00a0<em>El Cid\u00a0<\/em>in which the hero single-handedly defeats thirteen attackers:<\/p>\n<p>https:\/\/youtu.be\/wAMlTN4ULLQ?si=nchGsAHF8UxJGuHa<\/p>\n<p>Also like their medieval counterparts, knights of the digital age must avenge the deaths of loved ones. In <em>A Princess Bride, <\/em>settling a blood feud becomes the sole obsession of Inigo Montoya:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/24qcCD2Cskg?si=INLWZ8HmTdz7jvY0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Knightly Perfection: Generosity, Courtesy, and Loyalty<\/strong><\/p>\n<p>Generosity, courtesy, and loyalty are the softer characteristics of chivalry. As part of feudalism, a generous king would reward his thanes with gifts and property. Generosity is also linked to hospitality, a requisite for the knight errant. Loyalty is trifold as the knight must show loyalty to lord, lady, and God. Finally, courtesy entailed not only polite behavior towards ladies, but, more generally, behavior at court.<\/p>\n<p>Medieval romances included less-than-perfect knights, such as Kay and the evil Mordred. Modern portrayals also depict knights as less-than-perfect and frequently violate rules of chivalry. Consider, for example, the brutality of <em>Game of Thrones <\/em>with evil knights, such as Ser Gregor who is known for his brutality and open violation of chivalric rules..<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-628\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/Ser-Gregor.jpg\" alt=\"\" width=\"300\" height=\"168\" \/><\/p>\n<p>Other times, the criticism is more subtle. Consider the recent series <em>A Knight of the Seven Kingdoms. <\/em>The series describes Dunk\u2019s mentor,\u00a0 Ser Arlan, as\u00a0 \u201ca dogged fighter\u201d \u00a0and \u201chonorable\u201d while displaying scenes that reveal Ser Arlan as a drunken brawler. Martin challenges ideas about chivalry by endowing non-chivalric characters, such as Ser Dunk and The Hound, with chivalric virtues.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/42B7Pm-zIZQ?si=NxmvDn9Ddpu6GQuy\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Even Arthurian heroes, such as Lancelot and Gawain, are subject to devolution in medieval works of chivalry. In the film <em>The Green Knight,<\/em> Dev Patel\u2019s <em>\u00a0<\/em>Gawain is strikingly different from the pious and determined Gawain of <em>Sir Gawain and the Green Knight. <\/em>At the opening of the film, Patel\u2019s Gawain awakens in a brothel after a night of drunken revelry.\u00a0None of Arthur\u2019s knights are spared parody in Monty Python\u2019s <em>The Holy Grail. <\/em>Here, Lancelot takes prowess to an extreme in a violation of hospitality at a wedding. He mistakenly believes he is rescuing a damsel in distress.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GJoM7V54T-c?si=dF7gaKwsxiZhP69Z\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>A FEW BASIC PREMISES OF CHIVALRY<br \/>\n(AND ADAPTATIONS FOR KNIGHTS OF THE DIGITAL AGE)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ramon Lull\u2019s\u00a0<em>Book of Knighthood and Chivalry(<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em>Geoffroi de Charney\u2019s <em>A Knight\u2019s Own Book of Chivalry<\/em><\/strong><\/p>\n<p><strong>Rule 1: <\/strong><\/p>\n<p><strong>\u2018Any knight can make a knight\u2019 (Ramon Lull)<\/strong><\/p>\n<p>While Lull\u2019s dictate makes it appear that anyone could become a knight, bloodline, wealth, and noble bearing were requisite. Historically, in times of necessity, lower class infantrymen might advance, but true knighthood was a social estate into which one was born.<\/p>\n<p>In many modern adaptations, however, knights rise to their positions from obscurity and poverty. Consider, for example, Heath Ledger in <em>A Knight\u2019s Tale, <\/em>Richard Gere\u2019s Lancelot in <em>First Knight, <\/em>and Dunk in <em>A Knight of the Seven Kingdoms, <\/em>and the Onion Knight in <em>Game of Thrones. <\/em>In fact, Martin echoes this exact phrase repeatedly, such as in this scene in which Ser Dunk is asked to knight Raymun Fossaway. The HBO series hints strongly that Ser Dunk is never actually knighted. Fortunately, Ser Lyonel Baratheon steps in for the actual dubbing:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CKVrLjpnulI?si=OVT9JYKOP5ndp3Pf\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Modern audiences like to see an underdog succeed. In medieval romance, though, knighthood is the domain of the nobility. Characters like Chretien de Troyes\u2019 Parcival, a rustic raised by his mother in the forest, is deemed a peasant when Arthur\u2019s knights first encounter him. However, his noble bloodline is ultimately revealed. Similarly, the \u201cfair unknown,&#8221; later revealed as Sir Gareth,\u00a0 enters Arthur\u2019s court in the guise of a peasant. Eventually, though, his true identity as a member of the noble Orkney clan is revealed to the court.<\/p>\n<p><strong>Rule 2: \u201cOf the examination of the squire who will enter the order of chivalry or knighthood: the examiner should be of high repute and should seek to raise knighthood only those who are worthy\u201d (Lull 47).<\/strong><\/p>\n<p>In the 1981 John Boorman film\u00a0<em>Excalibur,\u00a0<\/em>Arthur himself must be knighted before he is accepted as king. In this scene, Uryens knights Arthur:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bl2u2c6e0ek?si=li7MZ90C2lCoUjzS\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Knights of medieval romance swear oaths of loyalty. In Malory&#8217;s\u00a0<em>Le Morte d&#8217;Arthur,\u00a0<\/em>Arthur&#8217;s knights renew their commitments annually by swearing to do geed deeds. This annual commitment is known as the Round Table Oath. Knights of the digital age swear similar oaths. Though not technically a knight, Jon Snow of\u00a0<em>A Game of Thrones\u00a0<\/em>and other members of The Night&#8217;s Watch swear similar oaths of commitment:<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_3BhOWpurdc?si=XMeKDqSaoofEhTWk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><strong>Rule 3: \u201cAfter his knighting, he ought to ride among the people; the knowledge of his pledge keeps him from evil\u201d (60).<\/strong><\/p>\n<p>In medieval romance, knights errant wander in search of adventures that involve defending the weak and rescuing ladies. Knights of the digital age are also frequently depicted as errant (though not always kept from evil). As a hedge knight, Ser Arlan wanders in search of greater knights to serve and assist. In the 1995 film\u00a0<em>First Knight,\u00a0<\/em>Richard Gere portrays Lancelot, reinvented as a wandering knight:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AkvZd0dBygQ?si=stCzSmzF-UepgOoc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><strong>Rule 4: \u201cHe must have a good horse and complete harness\u201d (Lull 41).<\/strong><\/p>\n<p>Armor is essential to knighthood. Knights of medieval romance are always well-equipped. Knights of the digital age, on the other hand, sometimes must struggle to gain proper equipment. Consider Dunk in <em>A Knight of the Seven Kingdoms. <\/em>George R. R. Martin questions the elitism associated with the knightly class and the expensive trappings of knighthood. Dunk has inherited horses (though not particularly good ones), and he has Ser Arlan\u2019s armor, which is shabby and ill-fitting.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-640\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/Ser-Duncan-shabby-armor.jpg\" alt=\"\" width=\"231\" height=\"293\" \/><\/p>\n<p><strong>Rule 5: \u201cNeither horse, nor amour, nor elections makes a knight worthy. He is part of the three estate system where some work, some pray, and some fight; all to God\u2019s will\u201d (Lull 20).<\/strong><\/p>\n<p><strong>\u201cA knight should be courteous, should speak well, and should have good harness and fair horse. Chivalry is not the horse or arms, in the power, but is rather the knight himself, if he is committed to chivalry\u201d (Lull 97).<\/strong><\/p>\n<p><strong>\u201cSword and shield do not make a knight\u201d (<em>A Knight of the Seven Kingdoms) <\/em>E2 28:51<\/strong><\/p>\n<p>Armor is essential to knighthood, but armor alone does not guarantee chivalric success or honor. Ser Duncan the Tall cannot fight without the necessities of battle. Nonetheless, he is worthy in his sense of honor and justice, while actual knights in Martin\u2019s universe sometimes behave poorly. In this scene, Ser Duncan delivers an honorable speech that shows his commitment to chivalric virtues:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4vHrE-oXl8c?si=4EudM4TwRQICEWzs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rule 6: \u201cKnights ought to take coursers to joust and to go to tourneys, hold an open table, to hunt harts, bears, and other wild beasts, for in doing these things the knights exercise themselves to arms and thus maintain the order of knighthood\u201d (Lull 30).<\/strong><\/p>\n<p>Hunting, jousting, and socializing at feasts were all essential components of knighthood that are frequently incorporated into adaptations. Jousting and Tournaments, in particular, provide works of medievalism an element of spectable. Consider, for example, this anachronistic tournament scene from\u00a0<em>A Knight&#8217;s Tale:<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rr9roMoMT1Y?si=hIkkr7CGcgUfbFcK\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rule 7: \u201cA good man at arms should not pamper his body\u201d (Charny 68).<\/strong><\/p>\n<p><strong>\u201cGood men at arms have no fear of discomfort\u201d (Charny 69).<\/strong><\/p>\n<p><strong>\u201cHence it should be understood that good knights may have to undergo hard trials and adventures, for it can truly be said to them that when they want to sleep, they must keep vigil; when they want to eat, they must fast; when they are thirsty, there is often nothing to drink; and when they would rest, they have to exert themselves all through the night; and when they would be secure from danger, they would be beset by great terrors; and when they would defeat their enemies, sometimes they would be defeated or killed or captured and wounded and struggle \u00a0to recover; this is not to speak of the perilous adventures they may encounter on their journeys in search of deeds of arms, such as the danger of crossing sea or river, \u2026of passing over treacherous places or bridges, of encountering riots or robbers. All these dangers must they endure\u201d (Charny 95).<\/strong><\/p>\n<p>Like their medieval counterparts, knights of the digital age must undergo hardships to fulfill their quests. In this scene from <em>First Knight,\u00a0<\/em>Lancelot must run through a gauntlet to prove his worth:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/x1SXJh2f2ng?si=02T23WSY9iplITCn\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><strong>\u00a0<\/strong><strong>Rule 8: \u201cChivalry is more in accord with courage than in the strength of the body\u201d (Lull 33).<\/strong><\/p>\n<p>Knighthood is brutal and strenuous, yet brute strength alone isn\u2019t a criteria for chivalry. George R. R. Martin tests the limits of this chivalric dictate in his portrayal of Tyrion Lannister at the Battle of Blackwater Bay. Though a dwarf, Tyrion leads his motley crew of men to victory. Sadly, though, he doesn\u2019t receive credit, primarily because he lacks the physique traditionally associated with knighthood. In this scene, Tyrion delivers a rousing speech to his men:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R-eTnIMwWKk?si=dGLu-j4j2VYKpXNx\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rule 9: \u201cKnights must possess wit and discretion\u201d (Lull 34).<br \/>\n<\/strong>Here again, George R. R. Martin challenges the chivalric dictate, most prominently in his portrayal of Ser Dunk who claims himself\u00a0 \u201cThick as a brick&#8221; deespite the fact that others perceive him as dim-witted, Ser Dunk establishes himself as kind and honorable.<\/p>\n<p>On the other hand, Monty Python\u2019s <em>The Holy Grail <\/em>lampoons notions of wit and discretion in the naivity and foolishness of their Arthurian knights:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/P8ghXxXyAuw?si=Gx9y3W2IWX9eTAIq\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Rule 10: \u201cThe knight must maintain and defend women, and respect and defend those less powerful than he\u201d (Lull 35).<\/strong><\/p>\n<p><strong>\u201cMen should love secretly, protect, serve, and honor all those ladies and damsels who inspire knights\u2026to undertake worthy deeds that bring them honor\u201d (Charny 66).<\/strong><\/p>\n<p>Whereas some knights of the digital age behave brutishly, the role of knight as defender is still an essential part of chivalry. In <em>A Knight of the Seven Kingdoms, <\/em>Ser Dunk puts his life on the line to rescue Tanselle the Tall from the clutches of Aerion Targeryen.Lancelot in <em>Monty Python\u2019s The Holy Grail <\/em>wipes out an entire wedding party in his attempts to rescue a damsel in distress (who turns out not to be a damsel).\u00a0In the film <em>First Knight <\/em>(loosely based on the medieval <em>Knight of the Cart<\/em>), Lancelot undergoes great challenges to rescue Guinevere. <em>The Princess Bride <\/em>also plays on the damsel in distress as Wesley rescues Princess Buttercup:<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rzO-sv0mtZ4?si=163PiqPM6o6RBtzl\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rule 11: \u201cLechery and chastity fight against one another, and the arms with which lechery wars on chastity are youth, beauty, heavy drinking, and eating too much meat, bright clothes, bravado, falsehood, treason, injury, and the despising of God and his glory\u201d (85).<\/strong><\/p>\n<p>Knights of the digital age violate this rule in stereotypical fashion. Many works of medievalism portray knights as lecherous, gluttonous drunks who are more interested in treason and injury than honor and glory. For example, consider the opening scene of the 1984 film\u00a0<em>The Sword of the Valiant\u00a0<\/em>(a campy re-telling of\u00a0<em>Sir Gawain and the Green Knight<\/em>) which depicts Arthur&#8217;s court as cowardly and gluttonous:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-651\" src=\"https:\/\/unicorn-castle.org\/earlybritlit\/wp-content\/uploads\/2026\/03\/sword-of-valiant-feast-1.jpg\" alt=\"\" width=\"276\" height=\"183\" \/><\/p>\n<p><strong>RULE 12: <\/strong><\/p>\n<p><strong>\u201cO ye knights of England, where is the custom and usage of noble chivalry that was used in those days? What do you now, but to go to the banes and to play at dice? And some not well advised used not honesty and good rules again in the order of knighthood. Leave this, leave this and read the noble volumes of Saint Grail of Lancelot, of Galahad, of Tristam, of Percefrost, of Percival, of Gawain, and so many more. There you will see manhood, courtesy, and gentleness\u201d (Caxton\u2019s epilogue to Malory\u2019s Le <em>Morte D\u2019arthur<\/em>).<\/strong><\/p>\n<p><strong>\u201cThe knowledge of chivalry should be put into books, that the art is known and read in such a manner as other sciences have been read, that the sons of knights learn first the knowledge that pertains to the order of chivalry after they have been squires. They should ride through diverse countries with the knights and there should be no error in the clerks and in the knights under whom they study\u201d (Charney 22).<\/strong><\/p>\n<p><strong>\u00a0<\/strong>Today, our knowledge of chivalry lives on in knights of the digital age. Perhaps we can still learn about honor, loyalty, and justice from their triumphs and failures.<\/p>\n<p><strong>A Few Favorite Knights of the Digital Age<\/strong><\/p>\n<p><em>First Knight<\/em>: a retelling of Chretien de Troye\u2019s\u00a0 <em>Knight of the Cart. <\/em>In this version. Lancelot is not nobly born, yet still worthy of defeating the evil Melyaguant.<\/p>\n<p><em>A Knight of the Seven Kingdoms:<\/em><\/p>\n<p><em>A Knight\u2019s Tale<\/em>: Here again, the concept of knighthood is reworked as Heath Ledger portrays a worthy knight without bloodline or money. Chaucer makes an appearance as a drunkard.<\/p>\n<p><em>Excalibur<\/em>: Seventies camp that adheres somewhat closely to Malory\u2019s <em>Le Morte D\u2019arthur. <\/em>Here, however, Arthur himself is the maimed king and Camelot is the Wasteland.<\/p>\n<p><em>Monty Python and the Quest for the Holy Grail<\/em><\/p>\n<p><em>El Cid\u00a0<\/em><\/p>\n<p><em>Game of Thrones<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Carol Parrish Jamison Georgia Southern University Who says chivalry is dead?\u00a0Members of the Society for Creative Anachronisms would certainly argue that chivalry is alive and well. This worldwide organization of medieval afficionados was established in 1966. In the SCA, &hellip; <a href=\"https:\/\/unicorn-castle.org\/medievalisms\/contents\/knights-of-the-digital-age\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":19,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":1,"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":34,"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/pages\/33\/revisions\/34"}],"up":[{"embeddable":true,"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/pages\/19"}],"wp:attachment":[{"href":"https:\/\/unicorn-castle.org\/medievalisms\/wp-json\/wp\/v2\/media?parent=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}